“Well, hello lovelies. Long time no speak, huh?

I’ve been a bit busy, unfortunately. Life gets in the way of living, if you catch my drift. An entire armada of business can get in the way of what’s really important, and sometimes there’s nothing to do but go with it.

So I’m not here to stick around and chat. Sometime over the weekend I will, you can hold me to my word. But this is just an update to tell you lot that this chica isn’t dead. Far from it. You’re not getting rid of me that easily.” *Grins*

“Unfortunately for the Captain, though…she’s just sent me a…well.

A text, let’s put it.

A text in which apparently, our little RLS femme fatale is stuck in the middle of nowhere with a couple of relatives and no way to contact via The Web.

So she’s given a plea of help. A white flag of sur-ren-der to all the gods and fates and all those other lovely celestial creatures up there who are laughing their immortal asses off at their cruel little quip.” *Snorts and crosses her arms*

“And she’s asked me to spread the word. So when she comes back, send her a message that I did my deed, yeah? And wish our captain some luck.

She’s gonna need it.”

((OOC: Okay no but seriously Amelia’s stuck at a hotel and apparently it has no name and no internet service fdkjhfdlkhj

So she just wants me to tell you guys that and that she loves you all and and yeah :’D))

treason-us:

by Eric Fortune

(Source: dominartrix)

(Source: unconsciousworld)

(Source: unconsciousworld)

bodytextmusick:

Repetition (2009)

John Patrick McKenzie

design803:

…visual poetry…initial idea…

mikaelchoe:

Drawn by Life

by Kim Sun Hyuk

ssdmmfr:

Artist:

Ah Xian

   “Ah Xian was born in Beijing in 1960. Initially trained as a painter, Ah Xian was a practising artist in China throughout the 1980s. Following the events in Tiananmen Square in 1989, he sought political asylum in Australia and moved to Sydney in 1990. Since the 1990s, Ah Xian has united traditional Chinese materials and techniques with a contemporary sculptural practice to address issues surrounding cultural displacement, identity politics and the relationship between East and West. His recent works continue to explore the material and symbolic possibilities of techniques such as lacquer-ware, bronze and cloisonné to represent the human form. In 1999 Ah Xian was included in the Third Asia-Pacific Triennial of Contemporary Art at the Queensland Art Gallery, Brisbane. Major solo exhibitions include China, China – Recent Porcelain Works of Ah Xian, Beijing Teachers University, Beijing, and Queensland Art Gallery, Brisbane, 2000; and Ah Xian Meets Jingdezhen, Museum of Frankfurt, Germany, 2002. Ah Xian lives in Sydney.”

rikaorlanda:

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